HanuanM, directed by Prasanth Varma, is a visually stunning mid-budget film that takes the Indian superhero genre to new heights. Starring Teja Sajja as Hanumanta, the movie tells the story of an ordinary pickpocket who acquires the superpowers of Lord Hanuman to fight against injustice. With a budget of around 55-60 crores, HanuMan proves that you don't need a massive budget to create a visually captivating cinematic experience.
Script Analysis: A Visually Stunning Masterpiece
One of the standout features of HanuMan is its breathtaking cinematography by Dasaradhi Sivendra. The visuals in this film are nothing short of extraordinary, with scenes like Hanumanta standing tall in front of a flame-lit structure of Lord Rama, backed by a magnificent hill sculpture of Lord Hanuman. The attention to detail and the imaginative use of visuals truly showcase the director's vision.
The script, though not without its flaws, sets the stage for Hanumanta's journey. It gradually builds up the story, leaving much to be explored in the sequel. The comedy elements, while falling flat in some places, are commendable for their clean humor. However, the love angle feels unnecessary and adds to the film's duration without providing a strong connection.
The VFX in HanuMan is mostly impressive, but there are a few instances where it falls short. The helicopter scene, for example, feels out of place and disrupts the flow of the film. Additionally, the hyper-running visuals lack the finesse seen in other superhero movies. Despite these minor shortcomings, the overall visual experience of HanuMan is unparalleled in the history of Indian cinema.
Star Performance: Teja Sajja Shines as Hanumanta
Teja Sajja delivers a remarkable performance as Hanumanta, the ordinary pickpocket turned superhero. Unlike typical superheroes, Hanumanta is relatable and enjoys his superpowers, which adds depth to his character. Sajja's portrayal of Hanumanta is convincing, and he successfully embodies the spirit of the character. However, there are a few hiccups in the action choreography that could have been improved.
Amritha Aiyer's track in the film feels unnecessary, but she manages to keep the audience engaged with her performance. Varalaxmi Sarathkumar, playing Hanumanta's sister, deserved more screen time, as she serves as the emotional connection to the lead character. Her thunderous performance leaves a lasting impact. Vinay Rai, despite a promising setup, is unfortunately wasted as the villain. Hopefully, the sequel will provide a better antagonist to balance the story. Satya, Getup Srinu, and Vennela Kishore deliver entertaining performances that bring moments of laughter throughout the film.
Direction and Music: Prasanth Varma's Vision Shines
Prasanth Varam's direction in HanuMan is nothing short of exceptional. Despite limited screens and shows, Varma's confidence in his content shines through. He has managed to create a film that not only achieves its goals on a restricted budget but also challenges the dominance of big stars in the industry. This film could mark a turning point for the Indian superhero genre, as Varma paves the way for more such films in the country.
The music in HanuMan, composed by Anudeep Dev, GowraHari, and Krishna Saurabh, may not blow your mind, but the background score elevates certain scenes to new heights. The Hanuman Chalisa track towards the end is particularly noteworthy. While the songs themselves may not be memorable, they serve the purpose of enhancing the overall cinematic experience.
The Last Word: A Promising Step for Indian Cinema
HanuMan, with its stunning visuals, engaging script, and strong performances, is a promising step forward for Indian cinema. Prasanth Varma's vision and creativity shine through in every frame, proving that a limited budget is no obstacle to creating a visually captivating film. The movie has its flaws, such as unnecessary subplots and weak villains, but the strengths outweigh them.